Survive the Jive: All-feed

Germanic auxiliaries in the Anglevari and Cornuti regiments of the Roman army used this design on their shields in the 4th century. The same design is found on contemporary sword decorations from bogs in the territory of the Angles. This example came from Ejsbøl bog in southern Jutland. The two birds represent the ravens of the god Woden. You can honour your ancestors and gain the same power from the symbol they sought, with this new shirt.

LMAO at the low IQ Christians posting stuff like this as an "own". Can hardly imagine how such people tie their own shoe laces.

One thing people don’t know about geneticist Lazaridis is that he hates Germanic people. See how inaccurate the rendering of the Holy Roman Empire in Germany was under Otto III. Why would he post that?

The X account location feature that recently dropped is not always accurate. It says Red Ice is based in Ireland and I am based in Australia. However, it has been revealing many Christian crusader accounts come from India. Also, this allegedly “Swedish” account which is anti-pagan and pushes anti semitism of the Christian Identity “we wuz hebrews” variety, was created in Israel. I have argued with this account which claims Jesus was an "Aryan" and that Germanics come from Israel in the past, and it argues in very bad faith - almost like a third worlder. At first "she" denied the location as another of the above errors, but many remained suspicious because of the account using poor Swedish and English (All Swedes speak great English). Then someone managed to dig up that the profile picture "Jonna" uses is actually of a Czech model. Then this Jonna deleted their account. It seems obvious that this person was a bad actor, pretending to be a European, in order to promote anti-Heathen propaganda.

The X account location feature that recently dropped is not always accurate. It says Red Ice is based in Ireland and I am based in Australia. However, it has been revealing many Christian crusader accounts come from India. Also, this allegedly “Swedish” account which is anti-pagan and pushes anti semitism of the Christian Identity “we wuz hebrews” variety, was created in Israel. I have argued with this account which claims Jesus was an "Aryan" and that Germanics come from Israel in the past, and it argues in very bad faith - almost like a third worlder. At first "she" denied the location as another of the above errors, but many remained suspicious because of the account using poor Swedish and English (All Swedes speak great English). Then someone managed to dig up that the profile picture "Jonna" uses is actually of a Czech model. Then this Jonna deleted their account. It seems obvious that this person was a bad actor, pretending to be a European, in order to promote anti-Heathen propaganda.

Photos taken on today on the Dartmoor set of Werwulf, a forthcoming medieval horror film set in England.

I have also combined five different ancient Germanic magical Heathen motifs to create this highly apotropaic cotton hoodie with sacred sleeves! It is adorned with motifs sourced from ancient Sweden, Denmark and Anglo-Saxon England. Make your ancestors and the gods proud by sporting one of the "Sacred Sleeves Teutonic Cotton Hoodies" this winter!

This design available on tees and hoodies, includes 3 Nordic Bronze age petroglyphs from Sweden. 2 from Tanum and 1 from Kivik. Get yours now! https://survivethejive-shop.fourthwall.com/products/nordic-bronze-age-petroglyph-hoodie

Still the most aesthetically epic location for any interview I have ever done

NEW EPISODE — Radio North Sea International — Rowsell x Maxwell Interview https://www.hearthfireradio.com/watchfree?v=MxRhfcht Tom sits down to speak with Mike Maxwell, host of The Outlander and proprietor of Imperium Press. In this wide-ranging discussion, the two cover topics such as localism and Germanic practice in a vastly different environment such as Australia, the coming of tribalism, what our foundational myths are in the 21st century, how technology can (or can't) be enfolded into heathenry, and the ever evolving, changing nature of our religions.

New video on Hearthfire radio. Mike and I sat down for a chat in Australia

Aryan Proto-factory-city discovered in Kazakhstan Dating to 1600 BC, the settlement was associated with the Andronovo culture which was Proto-Indo-Iranic. Recent excavations revealed the foundations of rows of multi-room homes at the centre of which was a large building, likely a hall or ceremonial space. There is also lots of evidence of large sacle tin-bronze weapon production. The site was positioned to be close to copper and tin deposits making it ideal of tin-bronze production at this early stage. This culture and region was possibly the largest exporter of tin and tin-Bronze before the Beaker folk of Britain over took them.

the conversation about the fall of Rome in the West refers specifically to the events of the fifth century between the gradual retraction of troops from the Rhine, allowing Vandals et al to skip happily across without resistance in 406, the retreat from Britain in 410 and finally in 476 when Odoacer made Augustus abdicate. No Reddit tier moving goalposts to talk about Byzantium. Second, the many contributing factors are related and the one you focus on reveals your own views, and regardless of which there is always someone who can contradict you because of myriad nuances. That said, the increasing immigration from the Near East allowed for the rise of decadent mystery cults and the abandonment of the state religion culminating with the triumph of a Palestinian cult in the 4th century. The increasingly foreign population undoubtedly contributed to this and also to a greater reluctance to fight for Rome, with citizens being willing to cut off their own digits to avoid service. Meanwhile dependency on Germanic slaves and also Germanic mercenaries had turned them into a hyper martial, brutal culture, which was fully versed in Roman military techniques and increasingly capable of challenging Rome itself. There are other factors too but def true that immigration/Christianity, dependence on German soldiers and general decline in the belief in the ideal of Rome all contributed significantly.

Here I wield a life size replica of the Roman Scutum found at Dura Europos. The original has swastikas just like this one.

The word Tremann (tree man) appears several times in Norse sources, referring to some kind of living wooden idol. In Flateyjarbok, Ogmundr the Dane goes ashore at Samsey and finds a "tremann fornan" (ancient tree man) 140ft high and covered in moss and he wondered who worshipped this enormous god. In other cases the tremann is alive, such as in one story one is sent by pagan Hakon Jarl to kill Thorleifr Jarlaskald. This one was made from driftwood and dressed in human clothes with a human heart placed inside it and it was named Þorgarðr. The fact that Þorgarðr is referred to in a kenning as the Gautr of the battlefire, associates him with Odin, since Gautr is a name for Odin. In Havamal 49 a verse describes how Odin clothes two wooden men with the armour of noblemen, and in so doing turns them to demons of battle, presumably for his army in Valhall. There are other sources that associate Odin with the creation of idols that he makes live, such as The Old English gnomic poem Maxims I phrase 'Woden worhte weos;, ('Woden made idols'’) and the Danish historian Saxo Grammaticus, who pretended that Odin was only a man, still admitted that he had the power to make inanimate statues speak. All this was brought to my mind when I witnessed the funerary puppet dancing of the Batak people in Sumatra. Batak pagan priests made human-sized puppets which were dressed like those who had died and were manipulated by the Datu to dance, weep, gnash their teeth, and speak in the voice of the deceased. The puppets were used to revive souls of the dead and communicate with them. An extraordinarily Odinic form of necromancy. There is no historic link between Indonesia and the Odin cult of course, but the similarity is testament to the perennial nature of pagan truth. You can see it in my video here. https://youtu.be/13XD3SuoEBo

Physical appearance of the Picts and Anglo-Saxons according to a Gaelic source, Togail Bruidne Dá Derga. Three Picts are described thus: ‘I saw another room there, with a huge trio in it: three brown, big men: three round heads of hair on them, even, equally long at nape and forehead. Three short black cowls about them reaching to their elbows: long hoods were on the cowls. Three black, huge swords they had, and three black shields they bore, with three dark broad-green javelins above them. Thick as the spit of a caldron was the shaft of each…’ ‘Hard it is for me to find their like. I know not in Erin that trio, unless it be that trio from Pictland, who went into exile from their country, and are now in Conaire’s household. These are their names: Dublonges son of Trebúat, and Trebúat son of Húa-Lonsce, and Curnach son of Húa Fáich. The three who are best in Pictland at taking arms are that trio. The Anglo-Saxon princes are described as follows: ‘On the northern side of the house I beheld nine men. Nine very yellow heads of hair were on them. Nine shirts somewhat short were round them: nine purple plaids over them without brooches therein. Nine broad spears, nine red curved shields above them.’ ‘We know them,’ he said. ‘Oswald and his two foster-brothers, Osbrit Longhand and his two foster-brothers, Lindas and his two foster-brothers. Three crown-princes of England who are with the king.

One for the based latino conquistador crusaders who worship Bonerface

Thread on the truth about Saint Boniface and why he was executed https://twitter.com/Tom_Rowsell/status/1648595262745477120?s=20

My colleague archaeologist Elena Kupriyanova has identified and reconstructed a unique female headdress of the Sintashta culture of the Bronze Age (Southern Urals and Northern Kazakhstan). The artifact was discovered back in 2016 in the burial complex of the Stepnoye VII cemetery, but for a long time it was mistakenly considered to be a fragment of a bag. The item turned out to be a complex ceremonial headdress with multicolored beads and fur trim, made using a tapestry-weaving technique. To study the headwear, several scientific methods were applied, including radiocarbon dating, spectral analysis of dyes, and strontium isotope research. The reconstruction made it possible to recreate the pattern of the headdress and to reinterpret other finds from the same burial. Bronze ornaments, previously lacking clear attribution, have now been identified as parts of a single ritual costume — a braid ornament and a facial pendant — indicating the burial of a girl from the elite of the Sintashta society. Photo by Elena Kupriyanova Graphic reconstruction — Elena Kupriyanova AI reconstruction — Mikhail Rodin